Is there though?

There’s a limit
To how much useful music you can make,
To how much tension you may instill,
To how much damage any one person deserves.

There is a limit to how much
Despair
Will soak into the pillow cases,
Into the sheets on her bed
Or the tips of your agitated hands
Or the soles of her yellow harried feet.

There is a point at which the night gives way
To a grey and rainsoaked morning.

And when you hit that wall,
When you reach that bluff,
That endless, precipiced edge,
Breath a sigh of relief and close your eyes.

Don’t be afraid to fall.

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I’m carving a draydel out of cedar for you. All is right with the world.

Sometimes
I would like to live with you
In a wood cabin on a lake.
Lying awake at night
By an open fire
With your hand on my cheek,
In my hair,
On the back of my neck.

A Star of David
Hangs in the window.
A pine wreath on the front door.

The pop and crackle.
Your breath in my ear.
The wind at the chimney.

It wouldn’t be so bad.

We talk about things that you can’t see

Your hands are soft.
Your fingers achingly so.
They lie silently,
Motionless on either side of a vision,
Comparable to Heine’s Rhineside portrait.
In my esteem at least.

A curious porcelain mask
That wafts in front of
My eyes and drags
My thoughts
Dangerously northward.

You are far.
And I will soon be further.
Thus is life it would seem.

One could be forgiven for assuming
That this would get easier.
Thank god it doesn’t.

If my heart had glass walls it would be a slaughterhouse

In the northern lands
Of ice and snow
Where the winds are born
You made your presence known
Among my thoughts.

Your eyes glowed behind my own,
Like shards of brilliant blue ice.
Your necklace strung with
Glimmering Germanic teeth.

‘You smile too much’
You stated solemnly,
Matter of fact.
‘I will take now what you owe me’

Toothless it seemed,
and thoughtless too,
I wandered for days,
In the heartland of the
Shiver and the prayer for
Safe return.

I gritted my blooded gums
And steeled my breath.
I feared we would not last the night.

Change taught us how to grow and grow we did…

The windows in all the houses
In which I have ever lived
Shine opal black in the moonlight.
Like giant dark eyelids closed
To an even darker night.

You have your fingers
In all of my eyes
Donating to my consciousness.
Your fingernails scrape
At the back of my throat.
They entangle themselves
In my vocal chords.

This wind is one of
Change and indifference.
It fills and drys the sheets
And pulls down the chimney
Stacks one by one.

As I drive home at night
I lose my face in the darkness.
The road markings shimmer and glow.
My head is full of the past,
My ears buzz with it.
My nose strong with its stench.
I pull into a darkened driveway,
Black as an open mouth at night.
I move off away into the sky
With not a single star in sight.

At least for one night

I blow hot and cold into the night.
All these shelves are full of cobweb covered photo albums.
I pull them down and rifle through my mind.
Fingernails properly groomed,
I empty my love into you.
For one night at least.

But I awake to find a different person
With veiled, shaded eyes.
Fingers reach out to greet you
And then retreat
out of what? Fear?

You walk so forlornly down narrow country roads,
Dragging your baggage along behind you.
Eyes fixed firmly on the sky
You tell me to stop following you.

I can’t help feeling
That if I could only stop feeling
Then this would all make
So much more sense to me.
But instead I scratch my head
And draw a line in the sand.
A line that will not be crossed.

What Might Have Been Love

On the last train home,
My ears buzzing and my eyes blurring.
I am tossed about and between
The broken overhead lights and
The infrequent tunnel lights out the windows
I am turned as waves of alternately
Yellow and grey and green wash over me
And I am suddenly struck by the realisation
That I should never have let you go.